This version of the story is in English. In Milan. Standing tiptoe on the edge of a king-sized bed. She is shutting a window cut into the slant of the ceiling. She is naked. It is the largest bed she has ever seen. Since she arrived, the nights have been good. Good summer nights, dark and bold as a shape. This night, a friendly night she can shut a window on. Later, open the window to the same good night. For seven weeks, she has been teaching the verb to be, the verb to lie, the verb to want, the verb to go. Some verbs more active than others. All verbs conjugate. All verbs useful. Some more useful than others. Not the confusion she studied in college, people asking, “But what does the verb to be really mean? What is Being?” Maybe there was “Having” too. She dropped the course and took Italian, where she asked the professor, “You mean to say that the past participle of a verb conjugated with the verb to be has a masculine end even if the subject of the sentence is hundreds of women and only one man?”
“Ending,” the professor corrected. “Yes. That is true of any Romance language. As long as a man is part of the group, the past participle of a verb conjugated with the verb to be will have a masculine ending.”
“An old-fashioned idea of romance,” she joked. No one laughed.
Someone else said, “The notion of romance is more old-fashioned in English. In English there is never any discussion of sex between verb and subject.”
This story includes him. He is here, too. His English is basic, so words should be chosen with care. He is lying on the king-sized bed. To create the Italian version of this story, possibly all the words of the English version must be tossed into the air, allowed to fragment and fall back down onto new pages. Or perhaps the English version is created from Italian words thrown this way. But why talk about possibilities? There is little enough room for fact. In the Italian, all the verbs of this story are in the present perfect and therefore require past participles. This is not true in the English version. For him, the English version tries very hard to stay in the present and the present progressive. There are a few past tenses, one or two conditionals.
He is lying in bed. He is thinking about the sleek front of the new refrigerator door his company is marketing. His girlfriend is in Rome. She is marketing the new refrigerator door in Rome. She would call him a cheater. A liar. An ass. Obvious, stupid names. Names for millions of men, not meant only for him. He has been taking English classes for seven weeks. He never imagined lying naked in bed waiting for his teacher to shut the window in the slant of his ceiling. She is naked. On tiptoe. That is it. Enough. Sleek is a hard word. Slant is a hard word. The story slows down. Explains more. Now. He lies in bed. The window. A large rectangle. She, naked. Summer. Milan. Night. Words American and other English-speaking people use. Useful words. Useful is use in its adjectival form.
She is standing tiptoe on the edge of the board at the end of the bed. Edge is a hard word. Here. This. Edge. The edge of the footboard or baseboard? She is not sure. Not important, really. The word. Not all beds have them. Naked. She. Footboard/baseboard. Window. Night. Milan. Oh – Summer. Bed. King-sized bed. The footboard/baseboard runs from the edge of the bed under the window to the edge of the bed near the closet. Complicated use of run. The footboard/baseboard goes from the right edge to the left edge of the bed. It lies flat. Complicated again for both goes and lies. (Runs. Goes. Lies.) Boards have an active life we know nothing about. He does not laugh. No. Sorry. Sorry. No. nothing. A joke. Complicated. Nonsense. She stands on the footboard/baseboard. No longer tiptoe. The flat board. The moon is round. Flat is the opposite of round.
Remember shapes? The window is a rectangle. The moon is a circle in the center of the rectangle. The circle is at the center of the window. The moon is central to the rectangle. The light lies in a square on her naked back. Prepositions are not easy. Lies has different meanings depending on context. He can lie. He is lying. He is lying. He waits for her to lie. She steps on the footboard/baseboard. Foot over foot, like a tightrope walker. As in the circus. The circus with clowns and horses.
Naked in the circle moon and square light. She understands now. Now she sees. A complicated see. Not with the eyes. A seeing of the flat in the round of the moon. She does not want to lie on the king-sized bed. Not now. Not naked. Not with him. Her walk has to end at the closet edge. A complicated form of have. Different from the ownership have. Must has the same meaning as has to, in this case. The first has in this last sentence showing ownership. The meaning belongs to the must. Now. Like a tightrope walker. Must owning meaning and has to meaning must. Ownership central to the rectangular window. She sees. Her back flat in the round moon. Naked. Walking. Milan. Night. Summer. Teacher. Footboard/baseboard. Tightrope. Flat. Foot over foot. Lie. Her walk must end at the edge near the closet.
Maybe there is a better way to explain the verbs? Let us see. The same complicated see as before. Not with the eyes. (Flat. Naked. Round.) Does see make sense now? (Summer. Milan. Night.) Does slant make sense now? (Light. Naked. Moon.) Does lie make sense now? (Round. Naked. Eyes.) Does run make sense now? Adjectives are harder to explain.
The story ends with her at the edge of the footboard/baseboard. The story’s end in English is different from the story’s end in Italian. In English, this story ends with her running. Remember, run? (Round. Naked. Eyes.) In Italian, the story ends in the king-sized bed with a verb in the past participle conjugated with the verb to be. It is that gender agreement between verb and subject that makes the ending of this story in Italian different from the prudish English ending. Let us point out that he sees and she sees (Flat. Naked. Round.) that the meaning of the different ends is the same.
She does not love him, and he does not love her.
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